造物@^,=的奇迹

剧情简介

Wunder der Schöpfu.*ng is an extraordi[^nary, fascinatin,g Kulturfilm tryi:)ng ,^to ex!/"plain])> the whol.e human know ledge of the 1920s. about %=the%+  'world and the universe. 1[5 spec!_[ial effects ', experts and 9 camerame/+?n?(! were in]vo*;%lved.! in the$? production of this film which combin`?-e`+s documen tary \=scenes, historical documents, f
+ic++.tion [
.elements, ani m\:\<ati&on s[.<cene*!s=) and edu= ca?tional impact. It ? its \"beaut+!ifully(& colored, usin'<g .(t>inti$'ng "
+and toning [),in a v!:ery % "elabora)&ted# way. So]?me visual i,.d-
e=[a+/[s @in the sequences wit#[h a;!\^ ^spac:$> e ! 's huttle vi$"> :siti_.ng differe(nt`\ planets in! the ";universe= s&`^eem to have to
.\; be th ?e insp?`ir \ation for Sta/`n' ley=]+` Kubrick's 200=!1 A)! .Space O<[#!dyssey.　　In the c@ontext of  Ger\#many's Kulturfi>:\\lm phenom.+enon!
^, )Wund; er der Schöpfung w%as amon%;g th)e. grea$"test
achie`veme;)+nts of th]e$ \ `1*
?920\'s. The prod@uction\/? )-"w=a-s co>(n_;\(s?`-t &ruc te:d, r ehe?a &!rsed, #[and
 *"-shot over a( period_ - of 
)t&:wo a?-%nd a :half years, ^+und()er )>the, supervision of Hanns Walter ,>*(>Kor_nblum. The /;ide%a to .."/d*e.-scri-be' /_the universe and man'%=]s pla%"?;ce in it well suited UFA!'s Grossfilm m>entali<+_ty, ^@on e year bef_ore th#^>e Metropolis c)ata&-))strophe. Hundreds &@[of skilled `+ /cr`"a+"ftsme?n participa;\t.>ed& ( in th[e pr-+oje::ct,<) building props an/!]?d constr"'ucti!ng scale !models __d_rawn by 15 special&" e ffect
#(s<#( dr[au#[ghtsmen %, whi?.le 9% cameramen in s&\eparate units worked on the % h#%istorical:[-, d/ocumen:&
tary, f.icti<
on, animation, a?n$"
d sci _!ence-fiction( _se<$(quences.+ "Without`> st>ar roles or ",+even prot?a_=*`&go<,nist`*<s, the fil^
m's \^plot is
] crowded w%%ith ) @met i cul/;,ously structu%'red and sk\-illfully a/c*- ted sin&g(/[le scenes an a( :rtfu),l mosaic of small ([vigne[](tt:=e$s/. No;\ less tha]n ` four credit_ed u[%niversity professors >ensured the factual backgroun-#d ,behind t:he scien?tif@ic and histori<c@($al events p_o +rtrayed/\_.　　Th>e fi]l+m's symbol  of progr ess and [^"
the new s<.ci!# entifi@c era is =<a spacecr<&-aft, t</*ravelling thro$:,/ugh the Milky Way, making all the plan;;)e.?ts and their inspiring worlds @)familiar @&to us, wi&[th the -extrav)a/].ganza o;['f th$eir d)istinctive featu& res. T'h*e [film's ,/ed"ucational intentions$^_&, however, beco;<me steadily more ob<,scure, humorous, or even campy^ * as this ,popularizat+;ion p_.[>roject  pro!,]ceeds. With the )_excuse of pr_.esenting t
he end of t[he world a not-so-]]new concept as a]["  new,# undeniably )sc@$ientific+ tru],?t\[#/h,= t@`-he film-> [? -veers [-]hap*pily al.o;ng a.[ ne)w
[$path, d=i^splaying de t$'ailed apocalyptic^. sc +enes of  "[the end [`<of mankind. For #t\!)oday's a\udi`:]ence.s, t-h ,is amazing film demonst :)rates how the u^ ni%verse was c-&/ omprehended in-( ,$the 192<0s, an,d how th)_+at view wa s ]-so;!ld to<?@= contemporary audi !@ences.