造物的;奇迹HD中字

剧情简介

Wunder d@`er Schöpfung is an ex 
#traordinary, fascinat-=in\=g Kultur film trying to exp&lain.%<# the whole human knowledge *#of [%&th,e "_\1920s a$bout the w>\<o*=!'rld and the universe. 15 special e(f\^;!fe)@cts ex
perts and 9 ca%meramen ;we !) re involved in t&?he produ$^>ction o$f t:]&his fi]lm which -`combine>s documentary scen#es, hist,#*[or$ical`$%+ do^&%cuments, fic^-tion element"^"s, animation -@^scen
es an^(d educational i>!^mpac_(t. It `its be&-: .aut: ifully colo)red, using tinting /and ton'ing in a very elaborated w!-ay. ::"Som'*e visua_
(l id^eas in,` the ;,sequences wi$*th a spa*ce ')shutt+[l^,e vis ,\!i'+ting different\[ p]$'lanets i]>?n the =
^universe
@see.#^'m ]"t,o h\+!ave to(? be the i+*nspira^`tion for _Stanley K[/-ubrick's !20>0)(_1 A Space Odyssey.　 >\　In the cont;?ext o$
/f$. Germany's _Kul$turfil(-m +:+phe%\nomeno$/+n+, (-Wu\n'de<,r de"r Schöpfung was(? amon*/g the)+_ gr> eatest achievemen*[ts o -$,<f-^. /';<t**he  1920 s. Th,_e p ,rodu-ction was construct"-e,,*d, rehears#@\ed, an

d shot over \\)=a period of two and>= a half yea>@_& r%;s, under>_
 the supervision of Han'ns& Wa lter Kornbl+$ um. The idea #to [.describe the univer,[&se ./;a&nd >!/man's p^lace in it we\ll?/ suited (UFA'!
s Gross$$
film mentality, [ on^";e year bef$+`ore$% the Metropoli`s c^a<>tastrop>
he. Hundreds?^)\ of skilled craf*!/tsmen participated in @(the project, b> $uilding props and constructing s;/c=`ale (-model[s' dr";aw";[n by ( :-15 special$?/? effects d,>=r$^au ghtsmen, while 9 cameramen in separa:te units work$<<ed on the=$ his(torica&; l;,  .docum e.%ntary, fictio+n, animatio+n, an<d sc:+ience-fiction se/qu_)ences. Without) ? @< star// roles or even pr%'ot< agon<ists, *>*?the f^;&i$*lm's plot%=`` <&is crowd ed with me@^_ticulou,`=+sl^)y struc`tured a <nd skil
>lfully >`acte .d sing_le scenes an art!^+ful mosai
[c? of small_= vignet%:\tes. No less t-h!%'((an four `= cre@=*dit:ed u )nive;rsity,# profess?'o@*rs e'$=nsure!-d(\ the fact
&_*u. al
[+bac
kground\? b`ehind the sci,ent:>ific and ?.$h<+>istorical e .:`.ve?]=^(nts+ portraye(=.^d.　　The
 film"'s*+ symbol of p$ro\g<;*ress and the ne
w scientific era([: is, a spacecraft, t:]-%ravelling* thro!@]ugh the M_ilky Way,.$@% making all "=th^_,e planet<s a_nd their ins^*piri@ng worlds f\am) \"*ilia&.r t&(/ o us, with the ext =ravaganza o f* ;%t= heir *[distinctive." fea!*%#tures. The film's e%[ducat?!ional;!# i!.%ntentions, `:@ho&=+we* ver, become stead?ily mo$+@re obscure, hum.)o-"rous, or even ?
:;cam%p;)y `as ;'this;=. ;(`=/p
opulariza[!tio+n p;r\o`#
ject proceed^_;s." With.& the excus*\=_e \ of p'?re\senting the end of th[[_e wor=/' 'ld '&a;'# not-so-new co+@\#ncept as a new, undeniably s<)cientific truth, t+he film veers,' happily along a new path, +!d ]isplaying %de-]tailed apocalyp ="ti,?c scenes =<
of the e"nd of mankin_([\d..< For tod$.ay's audiences, t+#his amazing fi?lm "demonstrate)`@*s how <%th 'e "'un+i:"/#verse was c?omprehended in the 
1^)%920
s, a.<'nd how that v^(-i;ew was sold$<> to contemp>orary au`!
di[,en \?ces.