狂野?街头HD中字
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Deserves recognition as an interes@*t&ing misundersta.!nding of the*$; hall_uc[_ination generation,@ 20 January 2007 A >-uth_!'or TimothyFarr_\@ell from Worceste r, + !MA? / W[,*ild i[^:n *-]-the S %[treets comes from the! ` sam\+$]e sc"@hoo%"l of^ fi<,lm ma:ki':ng '"that sp\ awned] other atte%-mpts (to connect & to t,\he, co`[unte:%r>culture such as S(?$kid'o).o^- and Candy(. \ The di`ff. e;&renc/ e be\@twee#!n this +%a?"^nd the>"[ aforement] ione;^.d f\i$l^#m\:s is tha^ t W:ild in]>! th":/e Stree=!<ts i^s r__e"*-#aso)']n(;';ably clev >er $and[\ well-ma]`de. It i\sn'&t sympathetic to t& he counte:)rculture and will likel[&y offen+d th /+os*>\"e with fond memo* 'r/..i+[,es of the t;<#'i=me. Su=+_(r)$)prisingly, it] wa=s, a bi g hit ]wh. en " - rel"(eased ` and appealed - to '>the youth whom \it' +rid)<i@*culed ,s[@o much. Unlik] e The Trip and /^ Ps>y= /)ch?,-Out (t)--wo other.* AIP films), its n+ot an accurate r<epresentation of [^@)the movement at all. However it d(^:=&o<es work? as soci..)al?" s%atire. The d*'ire#^ :c)<t*@%&io+$n by Barr y Shear is "goo$+$d"` and makes innovative us?e of split scre e$n ph"+:otograph`y. Plus, he keeps ever+#yth]ing; movin $g at^+ a q[@$(uick* pa)$ce. In its funny moments)_, _:^t^\h-e fil`%m works]^ well)". I@<n its att>'empts &&@\at drama, its < )<helpless\ly dated and ju_st [as f;un@,ny as the hu.\/morous moments.>. Christopher Jon]/es )^ underplays his ro*le an/;^d Shelly Winters overacts. Hal Hol-br>@""ook offers the be\ '=st pe;rformance and Diane ?:V -arsi (;ach+!ieve"s the ri +ght note of=,] grooviness. The script by Rob:[@ert Thom has* its mo-m/ 'ents, esp)(!#ecially t+>!$he]) ending (e*]"@ asily the mos ;?t ingenio.us -, part of the ' -film).#'" Wi'ld=') in the Streets :isn'`t per@fect, bu. ].t deserves recog*)nition as `an i-]nter$esting m isunder %:s)/tanding of the %h-=<allucination generati^[on. Those into this kind of k".%@#itsch!\-# will enjo]y+ ; it t`.he *>most!=. I'd rather wat ch The Trip or Psych-=(Out h<.-)oweve+%r. ([;610) ,-from ?imdb